Crystabel Ukwuegbu
Nestled within Johannesburg’s diverse landscape, The Wilds serves as a striking contrast between two worlds. On one side, it is flanked by the leafy suburbs of Killarney and the affluent Houghton, once home to Nelson Mandela during his later years in office. On the other, it borders the bustling yet often neglected areas of Berea and Yeoville.
Artist James Delaney discovered The Wilds in a state of abandonment, overgrown and largely forgotten, while walking his puppy, Pablo—named after Picasso—in 2014. Determined to revive the space, he spent years restoring the park by removing weeds, replanting vegetation, and repairing infrastructure. Despite these efforts, visitors were slow to return. This challenge led to a creative solution—installing laser-cut steel sculptures. “I started with 67 owl sculptures and later expanded with kudu, giraffes, and other large pieces. That’s what changed everything,” Delaney explains. “These sculptures became attractions, and in today’s era, it’s all about capturing moments. Public art creates landmarks, giving people something to engage with and photograph.”
His work has transformed The Wilds into a thriving communal space, now frequented by families, yoga practitioners, and school groups. Encouraged by the success, Delaney recently launched another urban renewal project in Killarney. This new space features a towering, 3-meter-high orange gate adorned with a raptor sculpture perched atop an aloe plant, inviting passersby to explore the rejuvenated park.
“We unveiled this incredible gate, designed to stand the test of time,” says Jenny Moodley, spokesperson for Johannesburg City Parks and Zoo. “our plan is to make residents feel welcome, enjoy the tranquility, walk their pets, read a book, or simply express themselves. It’s a well-contained and secure space within a residential neighborhood.”
Johannesburg has often been ranked among the most dangerous cities in the world due to crime statistics. Its public art often reflects South Africa’s past under apartheid and the subsequent efforts toward reconciliation. However, Delaney’s vision focuses on a more immediate need—creating inviting, accessible spaces in a city where unsafe and unclean streets discourage walking.
Resident Nadia Nicholaaspar describes the impact of discovering unexpected artwork. “Finding a piece of art where you least expect it feels like magic. It brings an instant smile, sparks curiosity, and makes you appreciate the space. It reminds you that someone cared enough to put in this effort, and in turn, you feel inspired to respect and cherish the place.”
Delaney’s work continues to reshape Johannesburg’s public spaces, proving that art can be a catalyst for transformation and community engagement.
